Author: admin

  • “Bottles”, 1977: Best Painting Currently On View At The Museum of Contemporary Art San Diego

    “Bottles”, 1977: Best Painting Currently On View At The Museum of Contemporary Art San Diego

    Green, pink black, oil painting by Philip Guston depicting a landscape-like composition with a head, two blocks that resemble buildings, and two bottles a red and a black on the foreground.
    Philip Guston
    Bottles, 1977 – Oil on Canvas

    Bottles, 1977

    There is a variety of cool art currently on display at the Museum of Contemporary Art, La Jolla in San Diego. But as far as pushing paint on the surface of a canvas, nothing comes near this painting by Philip Guston ( 1913 – 1980 ). And don’t get me wrong, a few yards away there is a beautiful little Mark Rothko that is not too shabby either.

    After contemplating Bottles for several minutes, and making a sketch of it, I walked around the room to see the other artworks.

    This painting was in a spacious gallery with many other contemporary “important” pieces, including a marble sculpture by Ai Weiwei.

    I went back to the Guston, and when the security guard looked in my direction, I remarked: “Best painting currently on display in this museum”. He said he agreed with me, even though his focus as an artist was music, and he really couldn’t articulate why he liked the painting.

    “Bottles” is not a particularly chirpy piece. In it, Philip Guston was confronting his alcoholism: he wore his addiction on his sleeve, creating many many variations on this painful theme.

    It is a beautiful work of art nonetheless. If you like painting, that is.

    We can see an accomplished artist having fun with painting, not unlike a child playing with his first set of color crayons. The traces of the wet on wet process, each brush stroke visible, the messy interaction of the different colors in the background, everything happening at the same time. It’s both a powerful and humble painting.

    If you walked away feeling jealous, wishing you had done it, it’s ok. Good painting will do that to you.

  • Wabi-Sabi And How To Finish A “Non-Objective” Painting

    Modernist looking, geometric painting with earth colors and aqua blu, pink and aluminum, with A.S. 2024 at the bottom
    Untitled ( “I’m a Materials Girl” “Xou da Xuxa” )
    Tape, Aluminum, Acrylic, Charcoal on wood,
    Medium
    2024

    I was reading the book Wabi-Sabi – The Japanese Art of Impermanence – Understanding the Zen Philosophy of Beauty in Simplicity while working on this painting.

    “Wabi sabi embodies the Zen nihilist cosmic view and seeks beauty in the imperfections found as all things, in a constant state of flux,…”

    At first I did not feel the piece was done, and I intended to continue working on it. As I grappled with it, the information from the Wabi sabi philosophy helped me understand the piece was OK at this particular stage in the process. Therefore I left it alone, as you see here.

    Some of the Wabi sabi “rules” I believe apply to Untitled (CAL) 2023:

    Color – Design criteria:

    • no harsh or strong colors.

    Texture – Design criteria:

    • Asymmetry or irregularity
    • The form comes from the physical properties of the materials used.
    • Artlessness, nor artistry
    • No symbolism”

  • All in A Day’s Work, A Painter’s Abstract World

    All In a Days Work, circa 2014:
    • Top right, Untitled (Big Diamonds) – collection of the artist
    • Right, Untitled (Black & Pink) – private collection
    • Right bottom, (Blue Cloud) – private collection
    • Leftmost, (Orange & aqua) – private collection
    • Left wall middle, (I’m a materials girls I)
    • Middle floor, Untitled (Hemera) reclaimed wood sculpture – collection of the artist

    Studio, Claremont, CA – 2014

    Everything was happening at the same time. Sometimes paintings were made with tape exclusively, with reclaimed materials, or just paint. Additional bodies of work sprouted from the works in this picture. No cookie-cutter template, or imposed consistency on the production of each piece. Non-Objective painting or Non-Objective abstraction is what they have in common: as in the explanation by the Tate Museum:

    “a type of abstract art that is usually, but not always, geometric and aims to convey a sense of simplicity and purity”.

    The What to do with small paintings? question led to the way of the arranging of these works as in the Radius Abstractus installation at University of La Verne, CA in 2014 – 2015. Augusto embraced The Tall Wall Space exhibiting area with a cluster of over 20 abstract paintings linked to a central cardboard wheel with aluminum tape strips.

    cardboard disk with metal spokes jutting out towards different abstract works on a wall
    Untitled (Radius Abstractus) – detail, 2024 -2015 – private collection